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chesya · 04-07-2018

I have fragments of workings for two piano sonatas from the 1990s before circumstances led to a loss of at least 95% /of my material.

This is a canon which was to be restructured as Scherzo and Trio for my second sonata. I set my sequencer to repeat my improv twice one higher, one lower so I had to play anticipating how it would sound together

https://youtu.be/QjNf7wA9nOw

This was going to be the finale of the first sonata - it was made of complex fugal counterpoint which was then cannibalized into variously diminished and augmented episodes. This dense contrapuntal soup was then gradually pushed towards a set tonal ceiling which eventually diminished it to a single rhythmic tone. Then using phase shift new motifs were created - this was a very early stage of composition.

https://youtu.be/I0IsrJ4wPK4

04-07-2018	#1
chesya Process Fan Join Date: Jun 2008 Posts: 76	Musical Creations I have fragments of workings for two piano sonatas from the 1990s before circumstances led to a loss of at least 95% /of my material. This is a canon which was to be restructured as Scherzo and Trio for my second sonata. I set my sequencer to repeat my improv twice one higher, one lower so I had to play anticipating how it would sound together https://youtu.be/QjNf7wA9nOw This was going to be the finale of the first sonata - it was made of complex fugal counterpoint which was then cannibalized into variously diminished and augmented episodes. This dense contrapuntal soup was then gradually pushed towards a set tonal ceiling which eventually diminished it to a single rhythmic tone. Then using phase shift new motifs were created - this was a very early stage of composition. https://youtu.be/I0IsrJ4wPK4 Last edited by chesya; 04-07-2018 at 01:26 PM.