Quote:
Originally Posted by frice2000
I know you have to spend a lot of time on these because they are very nicely detailed and well drawn. I definitely acknowledge that it's just so often I see a link to a new one of your works and while for the first bunch I was very excited to see them now I'm just getting apathetic. Again, not saying your work is bad or your quality is going down, far from it, just I wish your commissioners had a better imagination here rather then, "transform X into girl with this costume". I suppose then I'm panning some of your commissioners in that the work is usually the exact same and not really letting you branch out, also I imagine that gets a little boring for you to draw as well since anything to excess has to get repetitive.
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He's probably been typecast. People see that he's willing to do a certain type of fetish work and that he excels in TG and clothes transformation, so they go for the sure thing. Happens all the time. Inflation artists get inflation commissions, furry artists are bombarded with furry requests, etc. When you have specific needs, you go to a specialist, or what you believe to be a specialist in that field. The natural assumption is that specialists are much better at one thing than all others.
Anyways, I enjoyed this latest sequence and don't mind the similar format. I view process material much the same way I view martial arts movies. If the choreography's good and what passes for a story and characters don't get in the way of the action, it's a good movie. If it manages to be entertaining beyond the fight scenes without marginalizing same, it's a fucking amazing movie. Cluedog's work ranges from good to amazing. Not many commissions have depth to them, but the choreography's always worth the price of a ticket.