Now that Melanie is a belly-dancing sex-slave, Karen is even less interested in using the lamp. But the magic of genie wishes is the only way to save her roommate. Does it occur to her that she might be better off with the new, docile Melanie and she should just quit while she’s ahead? No, but she does know she’s in OVER her head and goes for help. Meanwhile, Bey’s new allies teach the grand vizier how to fit in in the modern world. And then Natalie comes home to a genie make-over.
The Three Wish War has been a labour of love for Bill Pratt and it shows. The story asks the question of why do genies do what they do and why stop at three wishes? And how far are they willing to go to maintain the status quo? This time around, the genie is bound by the new rules, and he hates them. Worse, his attention is divided by a rebellion turned bloody back in his homeland. He can’t do his job with a paltry three wishes, but a bloodbath to win back the right to perform his job as he sees fit is not what he had in mind. His clients this time around are three roommates: the quiet one, Karen, wants to be an actress. The pretty one, Melanie, enjoys a life of easy leisure, but always wants more. And Natalie just wishes her two friends could get along. Literally.
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